Tag Archives: Writing process

Something interesting developing in my head…

I might make a new blog for this concept, it might be a book or just a story or…  I have no idea.  I just found it interesting and wanted to share it with you.



Objectives: This unit is to examine potential destructive animal species 1174902 found in section 37134.78 by 27136.89 by 787135.2 Spiral Galaxy 27351


This unit has been selected for passive investigation of animal and plant species on planet 3 orbiting beta type star.


This unit has specialized in higher level machine cognition and a previously unusable low-level decision making matrices.


This unit will report regularly by burst channel communication not to exceed 40KBits per report.


This unit will be retrieved when threat status of potential destructive animal species is maintained in a critical state-to be shown on a scored scale.


Message Ends



Welcome to how my brain introduces me to stories!  Nope, no idea yet where it’s going.  🙂





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Getting the story out

People talk to me all the time about things that start with “if only” or “what if…?”

I think that mental place is the land of creativity.  You look at something, apply a dab of logic, come up with a timeline, and before you know it-you have a story that is unique, a mental toy you can play with and tweak anytime you want.

I think everyone, on some level, wanders into this world.  Show me a person that has never been there, not even for the “What if I won the lottery?” idea.

That place is where stories come from.  Everyone has a story, but some are just better storytellers.  The stories themselves are all good stories, whether we’re talking about something historical, something fantastic or supernatural, something that fills people with terror or joy.

It comes down to telling the story in a way that people can understand it.  Writing isn’t the only way, either-some of the best stories out there are hidden in a piece of visual art or a song.

The only problem I see is that, when these stories stay hidden, sometimes they become traps for people.  They lose some of their joy for what their life is as they consider the beauty of “What if?”.

My solution to this is simple-for me, I write it out.  Even if it’s something I don’t want anyone else to ever see, I write it out and get it out.  There’s a certain catharsis to be found when you tell a story, however you do it.  You put it out there in the world and it’s no longer just this wild idea stuck in your head for you to go over and over and wish was real.

Try it sometime.  When you find yourself ruminating about things that “could have been” or anything, write it, draw it, sing it, whatever it takes.  Then, look at it honestly and judge it.  Is it wishful thinking?  Did you consider the things that could go wrong?  Is there something you’re missing?

Maybe your story will turn into a novel, a hit song, an artistic masterpiece.  Maybe it will remain “just something you think about sometimes”.  The important thing is that you get it out, somehow.  The story is waiting to be told, and you will only become a better teller by doing exactly that, telling the story.  🙂

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Where having a mental illness and writing for publication come into wild conflict…


55,000 words.  I have reached a critical point for the protagonist.  Hit by bad news a couple of months ago, with which she ‘rolled with the punches’, she is hit by another hit.

Having Bipolar and its connected weirdness when it comes to emotional response in a time of crisis makes this REALLY difficult to write about.  I forced out a chapter, but it doesn’t work.  It’s not who she is, to be basically, “Well, what do we do?”.

For me-I would shut down.  My brain would stop working for awhile.  My thoughts would be completely disjointed and unreasoned, and my outward emotion would become completely flat.  I would be like that until my brain ‘rebooted in safe mode’ (I have no idea what goes on in there or how it happens, but that’s my experience).  I would be intensely logical in dealing with the situation, almost inhumanly so.  All options would be on the table for consideration, and I would want to weigh them all.  I would want to get alone for awhile to think through it, then possibly seek some kind of assistance/advice.

The bad thing is…  I am not the person my protagonist is, nor have I experienced what she is experiencing.

She’s 18 years old.  Her parents were killed in a house fire which she thinks was caused by some nefarious entity.  She did her best to get through it, with the help of her best frioend and her best friend’s family.  She went ahead and began college, attending a few days/couple of weeks of classes.  She escorted a guy that sparked her interest home after he injured herself, but then got freaked out by unfamiliar things in the evening in the city, fell in a fountain that turned out to be a portal to another world, and while there, found out that she is somehow connected to the fae beings that live there.

She made it back to this world, reunited with the friend, went to a party with her friend, and they were drugged.  The friend has been kidnapped and taken through a portal.

Now she wakes up.  She’s a strong person, but good grief, she’s under a LOT of strain.  Does she shut down?  For how long?  What does she do with the guy who rescued her before she wound up through the portal as well?

I wrote a draft chapter.  It works, kind of.  If she is an emotionless robot.  Anyone  have any thing that might help?  Links to expressions of emotion, especially interior experience wourld really help me here. 

Thanks in advance!


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Word counts…

I think that everyone who writes a novel thinks to themselves, “How many words/pages do I need to write before I have a good, salable novel?”

I was pondering this, and came upon this article: http://writemindset.com/writing/944/novel-word-count.html

It really is a great article, well-written and informative.  Some interesting highlights:

“The Road”, the pulitzer prize award winning novel by Cormac McCarthy is under sixty thousand words.

“1984” by George Orwell? about one hundred and ten thousand.

“Harry Potter and the Deathly Hallows” by J. K. Rowling weighs in at a whopping two hundred two thousand words.

My novel, right now?  I expected around one hundred forty thousand for book one, but as I write, I’m watching that word count shrink.  Total expected is down to one hundred twenty nine thousand, and I’m running under plan by about a thousand words per expected chapter-which means I expect that number to drop by at LEAST twenty thousand while I write the rough draft.  It’ll grow a bit on my first edit, then probably shrink again on the second before I send it out to agents, publishers, that sort of thing.

Which brings me to my “ego-boost” moment….

“The Old Man and the Sea”, the classic book that most of us have read in part or in whole during school weighs in at twenty seven thousand three hundred thirteen (a different number than you’ll see in the comments to the linked article).  source: http://answers.yahoo.com/question/index?qid=20061130081058AAG5RgO

I passed the twenty eight thousand word mark yesterday.  Take THAT Ernest Hemingway!  😉


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Facial description… GAH!

I have never thought very hard about describing a face.  A face is a face, and the reader is going to see who they see, whether you say they have an angular or round face, a lantern jaw, or whatever.

Suddenly, though, it’s vital.  I have spent an hour agonizing over facial descriptions, after having my helpful in-house editors point out that it’s important.

Here’s a sample: Her soft round face was sprinkled with a light spray of freckles.  Her jade green eyes peeked from behind her hair, tight auburn curls that bounced playfully as she shook her head.

Yes.  That sentence took an hour of looking at pictures, thinking of how they fit the character, and then figuring out words that would convey the image in my head into words.  If you have a picture from that description in your mind, and can match it to a name of someone with a picture online, let me know.  I want to see how close I’m coming to what is in my head with my words.

Thank you in advance.  🙂

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A wrting tool… and it’s free! :D

I’m using this outlining tool to help me work on a longer story.  The tool is called “Freemind”

sample freemind

(Pardon the ridiculous screenshot)

I have used it before, but not with my writing.  Before, I was modding “Dawn of War” so that all the units and such worked the way I wanted them to(something I do with every game, but I got a bit carried away with Dawn of War).

It’s a handy tool, I think, as you can expand or contract details on the fly so that you can reference back to them.  The only weakness I know of(and it may have been changed since the last time I used it) is that you can’t “grab and move” things on the “idea tree”.  You can mark things with a variety of symbols, so I suspect I will use the markings to do what I want with it.

I can’t write a whole lot right now, too many distractions that I don’t want to ignore, but working on the outline lets me feel like I’m “doing something” and keeps m mind on the story, at least in a general way, if not a detailed way.

Try it out!  If nothing else, the price is right.  (FREE!)


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The fragility of the creative process

Ever try to sit down and write or create something creatively, and then be interrupted?

I think everyone has had it happen.  Some people can put down the pen and keep the thought.  It never seems to work that way for me, though.

I start on something, and then there’s an interruption, and the thought disnintegrates.  There’s no immediate return to the thought, no picking up where I left off.  The thought is interrupted, and so I now have to go through and gather all the motes of thought that remain, put them back together and hope it’s still of value.

There’s always, I feel, a loss there.  Much like if you were to drop a valuable artifact, glue it back together, and then try to put it it into a museum as an exhibit.

With an exhibit, though, there are people who have learned methods to “restore” broken artifacts using processes that are far better, more accurate, and let the artifact retain it’s intrinsic apparent value far better than what I could manage with time and Elmer’s glue.

I wonder if there’s a corollary.  A process by which I could  “pause the scene” without thinking too hard, something that I could teach myself to do to the point that it’s instinctive, which would allow me to retain the thought.

I’m sure that any such process would be generally individual in nature, and that what works for one may not work for another.  I think I’m going to have to seek such a process, though.

Any suggestions?  What works for you?


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